
Cynthia
Graves & Deb
Locke
Deborah Locke has been Library Media Specialist at Westbrook High School in Westbrook,
Maine, for over 20 years, following 6 years at Woodbury Middle School in Connecticut.
Deb has an M.A. in Children's Literature in addition to her M.L.S. The W.H.S.
Library, which serves 900 students in grades 9-12, was recently selected to receive
the James C. McCampbell Award as Exemplary School Library Program for the state
of Maine. Cynthia Graves is newly retired from teaching English
at Westbrook High, where her room was located strategically across the hall from
the library! Cynthia's teaching career spanned every grade level, including adult
education, and was enhanced by a background in theater and her interest in what's
magical and mystical in our lives. Read about Cynthia's first exciting experiment
with audiobooks in the May, 1998, issue of AudioFile
magazine. We
have taught a workshop, "A+ for Audiobooks in School Libraries," (see Talking
About Audiobooks on this website) in Maine and at the 1999 AASL conference
in Birmingham, Alabama, to encourage teachers and librarians to integrate audiobooks
into their classroom teaching and school library collections. The
audiobook collection at Westbrook High School Library had its roots in a small
mini-grant proposal called "Heard a Good Book Lately?" Inspired by the obvious
popularity of personal tape players among teens, Deb Locke became determined to
use that medium to inject good YA literature into unproductive free time in study
halls and during lunch periods. The objectives of the project were: - To
introduce teenagers to audiobooks as a source of enjoyment and recreation
- To
stimulate an interest in reading young adult books
- To allow less able readers
to experience the books their peers enjoy reading
- To build vocabulary and
enhance the appreciation of language
Deb
began by purchasing 20-25 new audiobook titles of interest to young adults using
selection guides and reviewing media such as AudioFile magazine, Kliatt, and ALA's
Notable Children's Recordings (now supplemented by YALSA's Selected Audio Books
lists for young adults). IT
WORKS! Using rolling library carts, Deb visited study halls to
introduce the new audiobook collection and Walkman-for-loan program, distributing
title lists. IT
WORKS! Deb attended an English department meeting in order to
promote utilization of books-on-tape in the classroom. IT
WORKS! A browsing bin marked "Heard Any Good Books Lately?" captured
the attention of anyone entering the library and still continues to draw students
to new and popular audiobooks.
Follow-up surveys indicated that for 73% of the students, this was
their first experience listening to a book on tape. 82% enjoyed their listening
experience. 72% said they finished the entire set of tapes. 77% expressed their
intention of trying another audiobook and, best of all, 45% showed interest in
reading books written by the same author. The locations chosen for listening to
their audiobooks differed widely; the teenagers listened in study halls, cafeterias,
at home, and on long bus rides. Students often have a long commute! The best proof
of success? Steady circulation of the audiobook collection and demand for tape
players for loan. The new audio collection might merely have been
a novelty, however, without the efforts of an enthusiastic and inspiring teacher.
Always eager for new strategies for bringing good literature and young adults
together, Cynthia Graves is a librarian's best ally. Finding herself challenged
by an unusually diverse class that ranged from advanced readers to foreign students
and girls interested only in painting their nails, (a situation compounded by
being scheduled after lunch and at the end of the day) Cynthia planned a unit
that would immerse her students in audiobooks. She claims it was the most successful
thing she's ever done, finding that listening to books in audio format effectively
unified the instruction for the whole class. By provided listening time in
the context of 80-minute class periods, she also had time to conference individually
with students about their listening experience. Following the
success of her first experiment, she developed a variety of assignments and projects
to fit a range of ability ranges and desired learning results. Students choose
freely among unabridged YA and adult audio titles, but Cynthia sets a minimum
number of hours of listening required, determined by ability levels--5 hours for
first-timers, 15 hours for advanced students. Here are a few of
Cynthia's assignments using audiobooks in the secondary English classroom:
IT
WORKS! Listening Journals: For each in-class session, dated and
timed, students record and describe new characters as they appear in the story
line, as well as major events as they unfold and what they surmise are the motivations
behind those events. Effective with both honors and remedial students.
IT
WORKS! Audiobook Reviews: Students prepare two styles of book
review, one modeled on a conventional book report format exemplified by New York
Times reviews, and one on the AudioFile review format, which assesses the quality
and success of the audio production in terms of characterization, vocal color,
tone and pace. IT
WORKS! Character Letters: Students write a letter from one character
in the audiobook to another, a letter that might have been written in the context
of the book and which might have changed the outcome of the story. This is accompanied
by a 3x5 card for the teacher which explains the context and justifies the letter's
contents by what was inferred from the story and how the student has interpreted
the character. IT
WORKS! Art Day: Having shared their first experience of a work
of literature transferred into another medium, students now experiment with translating
the story they've heard into a new medium through art in the English classroom!
Some choose to create original covers for the book; many have wonderfully creative
ideas and all levels can succeed. IT
WORKS! Vocabulary Lists compiled from the tape. This seemingly
mundane exercise is highly effective with students who read haltingly themselves
or for whom English is a second language. They hear skilled readers introduce
unfamiliar words with fluidity and a natural tempo and can be confident that they
are learning how to pronounce the new words correctly. At the same time, the drama
created by an effective narrator draws them into the book, which may become the
very first positive experience a student with weak reading skills has ever had
with literature! Of course, nothing succeeds like success, and
a number of teachers have followed Cynthia's lead, integrating audiobooks into
their literature study. Students in Dick Burns's English class discovered that
listening to the same audiobook, while writing response journals as different
characters from the book, was an excellent way to explore point-of-view.
TIPS FOR LIBRARIANS:
 | Set
a loan period that's the same as for the printed book and allow renewals. Students
can't listen faster than they read! Listening is a slower, more leisurely process,
like reading aloud. |  | Concentrate
on acquiring unabridged titles. Abridged titles have their place for recreational
and informational listening, but you'll have an easier time convincing teachers
that listening is not "cheating" if you remind them that students will be hearing
the book in its entirety, increasing their comprehension of the work, and that
audiobooks make it difficult to skim. |
 |
Buy personal
tape players without AM/FM radios to
ensure that they will be used for your intended purpose. If acquiring players
to circulate seems extravagant, remember that at $15.00-$20.00 each, they are
significantly cheaper than most unabridged audiobooks. |
 | Buy
nickel metal hydride rechargeable batteries ($8-$10/pair at Radio Shack). Although
initially twice as expensive as the more common nickel cadmium batteries, nickel
metal hydride batteries last much longer and can be re-charged when only partially
discharged, guaranteeing that your patrons have fully charged batteries in the
tape players they check out. Spend a little extra to get a recharging unit that
charges quickly and accepts two or more pair. |
 | Take
advantage of tape replacement services. Major audiobook publishers usually provide
replacements for lost or damaged tapes for free or for a small charge. Inquire
about warranty and replacement policies. |
 | Rental
programs can help to meet on-the-spot needs. Rental charge is based on the length
of the audiobook and typically ranges from $8.50-$15.00 per title.
|  | Caution:
Some library security system check-outs can erase or permanently damage magnetic
tape. Make warning labels and signs in vivid colors! |
The
Maine Association of School Librarians web pages begin at: http://www.MASLibraries.org/
It will be getting a major facelift this summer. Cynthia
Graves may be reached at cynthia80@hotmail.com
Deb Locke may be reached after September 1 at dlocke1@maine.rr.com
EDUCATORS:
If you make good use of audiobooks in your approach
to education and feel you have some good tips and inspiration to pass on to others,
would you like to be considered for our Educator of the Month feature?
If so, contact Heather Frederick, Publisher at Audio Bookshelf at 1-800-234-1713
or audiobooks@prexar.com
We want to honor you!
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